Script #2

TEMPUS

DIRECTED BY BW, CM AND RM

WRITTEN BY BW, CM AMD RM

INT. PAN AROUND A CHILD’S PLAYROOM/BEDROOM. THERE IS A GAME OF SOLDIERS GOING ON.

CLOSE UP ON SOME OF THE PLASTIC SOLDIERS.

CUT TO A CHILDS EYES.

PULL BACK SO WE SEE THE WHOLE FACE. THE CHILD IS WEARING A SOLDIERS HAT AND IS UNDERNEATH A TENT SURROUNDED BY A BATTLE.

THE CHILD’S MOTHER CALLS TO HIM.

MOTHER: ALEX DARLING!

HE LOOKS UP BUT DECIDES TO IGNORE WHAT SHE IS SAYING.

MOTHER: ALEX!

CLOSE UP ON THE CHILDS HANDS HE DROPS THE SOLDIERS LEAVING THEM DISCARDED.  CLOSE UP ON FEET. THE DOOR BANGS SHUT.

WITH THE CAMERA STILL ON A CLOSE UP OF THE SOLDIERS A SHADOW PASSES OVER AND A HAND SWOOPS DOWN PICKS UP A SOLDIER AND THEN MOVES THE SOLDIER OUT OF THE SHOT.

SECONDS PASS AND THE SOLDIER IS BACK INTO SHOT BUT IT HAS A NOTE SELLOTAPED ONTO IT.

“I’M HIT”

THE CAMERA PANS ROUND THE ROOM AND SETTLES ON SOME UNSETTLED PIECES OF PAPER THAT ARE STILL FALLING TO THE FLOOR. WE DON’T SEE WHO IS POSTING THE NOTES.

SECONDS LATER THW DOOR CREEKS OPEN AND ALEX RUNS IN ECU OF HIS FEET WALKING IN.

TILT SHOT HE IS HOLDING AN ANY-WAY-UP-CUP FULL OF JUICE. HE STOPS IN FRONT OF THE TENT AND A CLOSE UP OF HIS CONFUSED FACE.

HE DROPS THE CUP CLOSE UP OF HIS HAND AS HE PICKS UP THE SOLDIER.

SHOT REVERSE SHOT. OF SOLDIER THEN CLOSE UP OF FACE THEN THE SOLDIER AGAIN.

CLOSE UP OF SOLDIER, ALEX RIPS THE NOTE OFF AND TAKES IT TO THE BIN.

END OF PART 1.

PART TWO

EXT. A MAN AND A WOMAN ARE SITTING ON A BENCH TALKING. WHILST AN OLDER ALEX IS RUNNING AROUND KICKING A BALL.

POV OF THE BALL BEING KICKED. HAND HELD CAMERA.

THE BALL IS KICKED FAR AWAY. SHOT TO WHERE THE BALL IS.

WHIP PAN AS BOY LOOKS UP TO SEE WHERE HIS PARENTS ARE HE SMILES AND WAVES THEY ARE NOT REGISTERING THAT HE IS THERE. SHOT REVERSE SHOT.

THE BOY SHRUGS HIS SHOULDERS AND RUNS OVER TO THE FOOTBALL. HAND HELD CAMERA OF THE FLOOR AND HIS FEET.

CUT TO ECU ON A MAN’S FOOT ON THE BALL. SHOT REVERSE SHOT. THE BOY STOPS HALF WAY. THE MAN’S FOOT. THE BOY’S WORRIED FACE.

TRACKING SHOT OF THE BOY WALKING TOWARDS THE BALL HE STOPS ABOUT 3ft AWAY FROM THE MAN.

ECU ON THE MAN’S SMILE. ECU ON HIS HAND IN HIS JACKET POCKET. HE PULLS HIS HAND OUT AND IN IT IS THE TOY SOLDIER FROM THE PREVIOUS SCENE.

ECU ON THE TOY SOLDIER IN THE PALM OF THE MAN’S HAND.

THE BOY PICKS IT UP FROM THE HAND.

CLOSE UP OF THE BOY LOOKING AT THE SOLDIER HE LOOKS UP AND STARES.

WHIP PAN THE MAN IS NO LONGER THERE. THE BOY COMPLETELY FORGETS ABOUT THE BALL AND RUNS TO HIS PARENTS.

HE LOOKS DOWN TO HIS PALM.

TILT SHOT HE IS HOLDING SAND. HE LOOKS BACK AT HIS PARENTS. THEY ARE CALLING HIM.

FATHER: ALEX WE’RE GOING. HE RUNS.

END OF PART TWO.

PART THREE

INT. THE BOYS BEDROOM BUT IT IS SEEMINGLY DIFFERENT THE YEARS HAVE CHANGED AND SO HAS THE LITTLE BOY. ALL OVER HIS ROOM ARE PICTURES OF THE FIGURE. PAN AROUND THE ROOM THERE IS EVEN A CLAY FIGURINE. THE ROOM HAS A GLOOMY EERIE FEEL TO IT.

STOP ON THE BOY SITTING AT HIS DESK. GRADUAL CLOSE UP. HE IS SKYPING HIS GIRLFRIEND. THEY’RE ARGUING.

MID CONVERSATION. SHOT REVERSE SHOT ON SCREEN AND ON HIM.

GIRLFRIEND:…YOU’RE NEVER THERE FOR ME I LOOKED LIKE A FOOL TONIGHT.

ALEX: I DON’T KNOW WHAT YOU WANT ME TO DO.

GIRLFRIEND: I WANT YOU TO ACT NORMAL, ALEX!

ALEX IS LOOKING AT A PAD ON THE TABLE HIS LATEST DRAWING OF THE FIGURE.

ALEX: HUH!

GIRLFRIEND: YOU’RE NOT EVEN PAYING ATTENTION. WHAT ARE YOU DOING?

ALEX: DRAWING.

GIRLFRIEND: NOT ANOTHER ONE OF YOUR PICTURES. ALEX IT’S REALLY CREEPY. YOU’RE SCARING ME AT THE MOMENT. THAT’S IT I CAN’T STAND IT ANYMORE.

ALEX: WHAT? LIL?! BABE!

GIRLFRIEND: SEE YA ALEX!

SHE LOGS OFF.

ALEX: LIL? BABE? AHHHHHH.

SHOT ON HIM HE LOOKS AT THE PICTURE OF THE FIGURE AND STARTS TO RIP IT UP. THE CAMERA PANS ONTO ANOTHER PICTURE ON THE WALL HIS HAND COMES INTO VIEW AS HE RIPS THEM OFF THE WALL AND STARTS TO TEAR THEM UP. HE FINALLY COMES TO THE CLAY FIGURINE AND THROWS IT AGAINST THE WALL. HE FALLS TO THE FLOOR DISTRAUGHT.

BACKWARDS TRACKING SHOT OF THE ROOM AND THE STATE IT IS IN.

CUT TO CLOSE UP OF ALEX. HE JUMPS AS HIS PHONE GOES.

BIRDS EYE VIEW SHOT OF HIM AND THE PHONE. HE PICKS UP THE PHONE.

CLOSE UP OF PHONE. IT’S AN UNKNOWN NUMBER HE OPENS THE TEXT.

IT READS

“TOO BAD MATE”

HE DELETES IT.

ECU ON HIS EYES THEY SHOWS TERROR.

END OF PART THREE.

PART FOUR.

EXT. ALEX IS SITTING ON HIS OWN WAITING FOR SOMEONE. HE GLANCES AT HIS WATCH.

OVER THE SHOULDER SHOT. HIS MATES ARE COMING TOWARDS HIM WITH DRINKS.

THEY SIT DOWN AND HAVE A CHAT. THEY’RE ALL DRINKING THEIR PINTS HE FINISHES AND TURNS TO LOOK AT THE TELEVISION. THERE’S A MATCH ON.

HE LOOKS DOWN AND THE HEAD OF THE CLAY FIGURINE IS SITTING IN HIS EMPTY PINT GLASS.

TILT SHOT. THE MAN IS STANDING THERE SIMLING HE PULLS HIS HOOD OFF AND SMILES ALEX MOVES UP. THE MAN SITS DOWN. HE STARTS TO SPEAK.

MAN: HEY THIS IS A GOOD MATCH.

ALEX: YYYYOUR…………

THE MAN TURNS HIS HEAD AND SMILES.

ECU INTO HIS EYE THE CAMERA TURNS SLIGHTLY.UNTIL WE GET A FULL SHOT OF THE EYE.

END OF PART FOUR.

PART FIVE.

THE EVENTS THAT HAVE ALL HAPPENED REWIND BUT IN THE MAN’S POV.

EVERYTIME WE SEE ALEX IT GOES IN REWIND. BUT THEN SLOWS DOWN TO UNVEIL THE MAN’S FACE.

FINALLY TO THE POINT WHERE THE MAN PICKS UP THE CLAY HEAD PUTS A BLANKET OVER A SLEEPING TEENAGER ALEX AND STEPS BACKWARDS. AS HE STEPS BACKWARDS HE VANISHES.

END OF PART FIVE

PART SIX.

CAMERA PULLS OUT OF SHOT OF THE MANS EYE AND SHAKES HANDS WITH ALEX. HE STANDS UP LOOKS AT THE MATCH ON SCREEN WHILST SOMEONE SCORES THEY ALL SCREAM AND CHEER WHILST ALEX IS LOOKING ABASHED AT THE MAN. POV SHOT OF THE MAN HE LOOKS OUT INTO THE DOOR.

ECU OF HIS FOOT. HE LIFTS IT UP AND STOMPS WITH THAT HE IS GONE.

END OF PART SIX.

 

-CM